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  • Otis Fine Arts hosts a Visiting Artist lecture series featuring John Houck, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Jesse Benson (b. 1978) is an artist based in Los Angeles. Benson's complex practice is driven by the perversion of roles and representation that characterize his generational moment. In obsessively "skillful" objects like the Bureau Paintings, Catalog Page Paintings, Future Sculptures, and Repaintings, Benson constantly questions the authenticity of the document, the function of style, and the value of both art and artist. Benson is equally committed to a curatorial/organizational practice that openly overlaps and inspires his object production.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by Nick SeierupPrincipal | Design Director of Perkins+Will, Los Angeles, on Thursday, December 3, 2015.


  • Marisa Silver is the author most recently of the New York Times bestselling novel Mary Coin. Her other books include the novels No Direction Home and The God of War (a finalist for a Los Angeles Times Book Prize), as well as two story collections, Babe in Paradise and Alone with You. Her work has appeared in The New Yorker and been included in many anthologies, including The Best American Short Stories and The O. Henry Prize Stories. Silver lives in Los Angeles.

  • Jesse Lerner is a filmmaker based in Los Angeles.  His short films Natives (1991, with Scott Sterling), T.S.H. (2004) and Magnavoz (2006) and the feature-length experimental documentaries Frontierland/Fronterilandia (1995, with Rubén Ortiz-Torres), Ruins (1999) The American Egypt (2001), Atomic Sublime (2010) and The Absent Stone (2013, with Sandra Rozental) have won numerous prizes at film festivals in the United States, Latin America and Japan.

  • Otis faculty member Dana Berman Duff will present a program of short 16mm and digital films in her "Catalogue" series.

  • Performing the Grid is an exhibition that brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, and mythical perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids.


Graduate Graphic Design

The limited-residency MFA in Graphic Design provides a rigorous and challenging academic and studio environment for candidates interested in enhancing their current professional practice. 

Participants select from three individual themes or tracks: social responsibility of the designer in society, typography and type design, or advancing the discipline through theory and innovation. Each track speaks directly to educating conscientious individuals who recognize the value of design and its role in society. Coursework is comprised of research, readings, studio projects (assigned and self-directed), and a final project. The department provides students with instruction by core faculty, visiting lecturers, and visiting artists who are recognized nationally and internationally in their design and art practice.

The program is two years and two months running for three consecutive summers with two part-time spring semesters that can be completed on or off-site. Incoming students begin the program at the start of each summer session.

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Design Week and Symposia

Each summer, sessions begin with "Design Week:" multiple workshops running simultaneously and hosted by internationally recognized visiting artists whose practice exemplifies alternative practices. The week ends with a public event. In 2014, participants included Cox & Grusenmeyer, Type Radio, Feixen, Niessen de Vries, Adam Michaels of Project Projects, and LAVA Design. Live stream of public lecture (turn up the volume, and apologies for the shadows of passing heads!)


The program hosts weekly lectures, open to the public, by artists and designers from Los Angeles and beyond. All students are required to attend. MFAs spend the day in conversation with each visiting artist in a group setting or in one-on-one studio visits.